A blog dedicated to all things English, from the Restoration (1660) into the "long 18th century."
Boswell’s own life set to be celebrated
He would therefore undoubtedly have been delighted to learn that his  literary descendants will converge on the gardens of his old home to pay  homage to the man regarded as the inventor of the warts-and-all modern  biography   at the inaugural Boswell book festival, on the weekend of 20-22 May.
Participants  will include Diana Athill, the laureate of old age; the actor Bill  Paterson, discussing his memoirs of a Glasgow childhood; and Selina  Hastings, author of critically acclaimed biographies of Nancy Mitford,  Evelyn Waugh and Somerset Maugham. On the Friday the actor David McKail  will perform  “Bozzy: an evening of Carnality, Calvinism, Clarit and  Conviviality”.
[…]he Boswell Museum and Mausoleum Trust, organisers of the book festival,  aim to redress the balance: their ambitious plans include restoring the  family graves, and creating  a museum in the author’s honour in the  derelict Boswell Aisle of the  adjoining church.

Boswell’s own life set to be celebrated

He would therefore undoubtedly have been delighted to learn that his literary descendants will converge on the gardens of his old home to pay homage to the man regarded as the inventor of the warts-and-all modern biography at the inaugural Boswell book festival, on the weekend of 20-22 May.

Participants will include Diana Athill, the laureate of old age; the actor Bill Paterson, discussing his memoirs of a Glasgow childhood; and Selina Hastings, author of critically acclaimed biographies of Nancy Mitford, Evelyn Waugh and Somerset Maugham. On the Friday the actor David McKail will perform “Bozzy: an evening of Carnality, Calvinism, Clarit and Conviviality”.

[…]he Boswell Museum and Mausoleum Trust, organisers of the book festival, aim to redress the balance: their ambitious plans include restoring the family graves, and creating a museum in the author’s honour in the derelict Boswell Aisle of the adjoining church.

1 year ago on May 2nd, 2011 at 5:28 pm | Permalink
thetranscendentalmodernist:

Portrait of Sarah Siddons (1755-1831) - Oil on canvas - Beach - c. 1784
1 year ago on October 16th, 2010 at 8:43 am | Permalink | Reblog from
Kate Vaughan as Lady Teazle in Sheridan’s School for Scandal (1886, Gaiety).

Kate Vaughan as Lady Teazle in Sheridan’s School for Scandal (1886, Gaiety).

1 year ago on October 14th, 2010 at 9:18 pm | Permalink
lookupmydress:

In the 18th century, the hand fan was both utilitarian, as well as  decorative. There were all kinds of fans, from the extremely plain  paddle fans made from paper or wood, to the most ornate made of the  finest silk and adorned with fine embroidery or painting.
A lady was never seen in public without her fan, for not only was it  used as a device for cooling oneself, but it served as a means of  discrete and quiet communication. Both men and women understood the  “language of the fan” and used it to communicate some very private  sentiments while in the midst of some very public places. The following is a list of some of the most commonly understood fan gestures. A fan placed near the heart: “You have won my love.” A closed fan touching the right eye: “When may I be allowed to see you?” The number of sticks shown answered the question: “At what hour?” Threatening gestures with a closed fan: “Do not be so imprudent.” Half-opened fan pressed to the lips: “You may kiss me.” Et cetera…

lookupmydress:

In the 18th century, the hand fan was both utilitarian, as well as decorative. There were all kinds of fans, from the extremely plain paddle fans made from paper or wood, to the most ornate made of the finest silk and adorned with fine embroidery or painting.

A lady was never seen in public without her fan, for not only was it used as a device for cooling oneself, but it served as a means of discrete and quiet communication. Both men and women understood the “language of the fan” and used it to communicate some very private sentiments while in the midst of some very public places.

The following is a list of some of the most commonly understood fan gestures.

A fan placed near the heart: “You have won my love.”
A closed fan touching the right eye: “When may I be allowed to see you?”
The number of sticks shown answered the question: “At what hour?”
Threatening gestures with a closed fan: “Do not be so imprudent.”
Half-opened fan pressed to the lips: “You may kiss me.” Et cetera…

1 year ago on October 13th, 2010 at 3:22 pm | Permalink | Reblog from

18thcentury:

Silk dress - British
ca. 1780
(via

1 year ago on October 10th, 2010 at 11:25 pm | Permalink | Reblog from
fyeahburlesque:

James Gillray, ‘The Theatrical War’, 30 June 1787. A commentary on theatrical licensing and regulation, featuring, amongst others, Sheridan and George Colman the Elder and Younger.
Burlesque wouldn’t be what it became in Britain (and was then brought to the United States by Lydia Thompson) were it not for the complicated theatre regulation system in Britain!

fyeahburlesque:

James Gillray, ‘The Theatrical War’, 30 June 1787. A commentary on theatrical licensing and regulation, featuring, amongst others, Sheridan and George Colman the Elder and Younger.

Burlesque wouldn’t be what it became in Britain (and was then brought to the United States by Lydia Thompson) were it not for the complicated theatre regulation system in Britain!

1 year ago on October 10th, 2010 at 9:39 am | Permalink | Reblog from
James Sayers, ‘A Peep behind the Curtain at Drury Lane’ in which Sheridan speaks through the aperture in the curtain’, 1780.
Some more Drury Lane love for everyone. And a time to snigger at Sheridan, which were are all wont to do.

James Sayers, ‘A Peep behind the Curtain at Drury Lane’ in which Sheridan speaks through the aperture in the curtain’, 1780.

Some more Drury Lane love for everyone. And a time to snigger at Sheridan, which were are all wont to do.

1 year ago on October 10th, 2010 at 9:17 am | Permalink
Peter Lely, Nell Gwynn, 1670s
Iconography surrounding Nell is fascinating as the 18th and 19th centuries’ obsession with her has falsely attributed so many portraits to her likeness. This one, however, seems to be legit.

Peter Lely, Nell Gwynn, 1670s

Iconography surrounding Nell is fascinating as the 18th and 19th centuries’ obsession with her has falsely attributed so many portraits to her likeness. This one, however, seems to be legit.

1 year ago on October 9th, 2010 at 3:37 pm | Permalink
Evan Sly, ‘Garrick and Hogarth, or the Artist Puzzled’, 1845.

Evan Sly, ‘Garrick and Hogarth, or the Artist Puzzled’, 1845.

1 year ago on October 9th, 2010 at 3:12 pm | Permalink
Kyrle Bellew as David Garrick, ca. late 19th century.
I ought to ask my adviser why the Victorians were so ostensibly obsessed with David Garrick (perhaps because he really set the precedent about how we stage and watch Shakespeare?).

Kyrle Bellew as David Garrick, ca. late 19th century.

I ought to ask my adviser why the Victorians were so ostensibly obsessed with David Garrick (perhaps because he really set the precedent about how we stage and watch Shakespeare?).

1 year ago on October 9th, 2010 at 3:11 pm | Permalink